Victor Langheld — A Life of Disenchantment

 

Victor Langheld was born on April 29th, 1940, in Berlin, Germany. At the time, his father, Heinz, was interned as an “enemy alien” in the Curragh Army Camp in Kildare, Ireland. On Ash Wednesday eve, 1945, at the age of five, Victor was baptised by fire amid the inferno of Dresden — a literal near-death experience. In 1946 he arrived in Ireland to join his father and was naturalised an Irish citizen in 1947.

Victor’s lifelong journey of mystical de-mystification began in earnest in 1952 during a sermon in Christ Church, Bray. At the age of twelve, he suddenly entered an altered state of consciousness — the first of many over the next sixty years — and realised that the world presented to him by parents, priests, and society was false, a fabrication. Shocked into hyper-awareness, he transmuted overnight into a sceptic, a condition he would maintain for life. From that day forward he resolved to uncover the truth. Disenchantment became his passion.

He began his quest by reading voraciously across the mystical and philosophical traditions of medieval Christianity, ancient Hinduism, Buddhism, and Jainism, while delving equally deeply into the sciences — physics, biology, anthropology, evolution theory, and astronomy — questioning everything.

At twenty-three, with a single dollar a day to spend and complete freedom of movement and thought, Victor reached India — “the land of limitless religious fantasy.” Like many seekers, he was first dazzled by the exuberant theatrics of modern Hindu devotionalism and the melodious promises of its many godmen turned multinational CEOs. Yet the enchantment did not last. He was dismayed by what he perceived as a lack of genuine insight into Nature’s emergent systemic functions — the algorithms of being — and by the inability of modern India’s holy entrepreneurs to translate the profound intuitions of the Upanishads and early Buddhist and Jain sutras into a contemporary understanding of existence.

For years Victor travelled between India and Europe — to earn, to study, to deepen his inquiry. By forty, it seemed he had little to show for it. Then, like many seekers before A close-up of a person

AI-generated content may be incorrect.him, he decided to force the issue. He joined the Buddhist order in Bodh Gaya as a novice. Two weeks later, despite his own misgivings, he was given full ordination. Exactly forty days after, to his astonishment and that of his teacher, the Venerable Mahathero Dhammawansa, Victor attained what the suttas call Samma-Sambodhi — commonly mistranslated as “awakening” or “enlightenment.”

The experience, lasting seven days, was as rapturous as it was destabilising — an ecstatic disenchantment that verged on madness. When equilibrium returned, he disrobed, as the sutta prescribes, and promptly returned to Ireland to recover from his ordeal with a full Irish breakfast.

Over the following decade he commuted between India and Ireland, producing some fifteen books — each an intense thought experiment, each almost unreadable, and none commercially successful. Yet the process was exhilarating: new insights, disillusionments, and ecstatic recognitions continued to erupt, sometimes lasting for months.

By fifty, he thought the game was over — the goal reached, the journey done. Contemplating self-termination, he was interrupted by yet another visionary episode. In a dream, he saw a garden — complete, luminous, and alive with sculptures, each representing a facet of human systemic functioning. Within ten minutes he had sketched it; over the next twenty years he built it. The dream became Victor’s Way — a sculpture park near Roundwood, Ireland — and the embodiment of his lifelong inquiry. Those years were glorious: filled with rapture and despair, joy and exhaustion. At last, the boyhood vow to “uncover the Truth” took visible form. But, as he later wrote, “the Truth itself was anything but a pretty sight.”

When the garden was finally complete, another altered state arrived. Its message was simple: bury it. The sculptures had done their work; the Way had fulfilled its purpose. The task fell to a new sculpture — Tiffany the dung beetle — who, with humorous gravity, buried the philosophic past and cleared the ground for something new. That something was Finn, the modern druid — Victor’s final sculptural and philosophical persona.

When Finn “arrived” in Roundwood in January 2025, his silence compelled Victor to give him voice — to tell the druid’s story: a new, natural philosophy of emergence known as Procedure Monism, grounded in the insight of Original Goodness.

There was, Victor insists, nothing supernatural in his method. The procedure — adaptation through sustained, subliminal focus — is built into every human system. Once he discovered how to access the creative “zone,” he simply stayed alert, waiting for the unexpected. Each time, the prompt arrived unbidden, and the response appeared — as if from nowhere — perfectly timed.

Five months after Finn’s appearance, the story was complete. Victor’s final act was to out himself as a druid, thereby completing and closing Victor’s Way. After a remarkable life — a life of philosophical adventure without regret — he retired to live quietly as a druid anchorite, grateful that he escaped the fates of his heretical predecessors who were burned or stoned for their troubles.

Like them, he knew that his knowledge, true or false, would vanish when he did. But unlike most, he had already made peace with that.

 

Procedural Monism

Original Goodness

 

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